In other news, my Skjold bass is still in the early stages of production, but Pete tells me it's ready to be cut and he starting work on the neck soon. I'm thrilled...I should have it in a few months...hopefully.
When I get more pics I'll post 'em.
In other OTHER news, I'm no longer pulling bass duty for Glass Bead Game. After my son was born I needed to take a good look at the things I was putting time and energy into and evaluate the return. Time away from my family must be productive time, and things just didn't seem to be progressing. There was discussion but differing opinions couldn't fix the issues. It sucks in some ways because the music was great and the musicians are some of the best I've played with, but it just wasn't working out.
So I'm putting that energy into production of a new CD, and some collaberative projects with Surrent. He and i have a show at The Ground Level on Nov 7th. Seperate sets and a collaberative peice. I just might Ustream the thing. We'll see.
The genius of Hard Ticket to Hawaii can be summed up by this clip: